William Eaton
Music By William Eaton

180g, 50th anniversary edition of 1971 genre-defining psych folk debut solo LP ft. members of Santana, Grateful Dead, Jefferson Airplane & Joni Mitchell.

1973 folk-rock masterpiece on Island. 180g, gatefold reissue.

Deep ambient LP from 2021, husband-and-wife duo. Minimal / avant-garde with both modern and classical influences on Jonny Nash's Melody As Truth.

Hot Mule comp dedicated to Guinea-Bissau bandleader José Carlos Schwarz, ft. killer track "Na Kolonia" & some great traditional West African songs.Schwarz wrote in Portuguese and French, but sang in Creole. In 1970, he formed the Cobiana Djazz band with a group of friends. After the independence of Guinea-Bissau, Schwarz became the director of the Department of Arts and Culture, and also the responsible for youth matters. In 1977, he started working at the Embassy of Guinea-Bissau in Cuba. On May 27 of the same year, Schwarz died in a plane crash near Havana.Hailed by african giants like Orchestra Baobab, Letta Mbulu or Miriam Makeba (with whom he recorded his first and only solo album), “Zé Carlos” and his poetry won a lasting position in the annals of Guinea-Bissau. However, this collection of songs remains relatively unknown outside the country and its diasporas.Hot Mule present the first official reissue on vinyl, remastered and pressed on heavyweight wax.

Sublime downtempo new age LP from Sydney's Max Santilli on Growing Bin. Highly recommended!

Antipodean Anomalies 2 is Left Ear Records' most ambitious project to date, a compilation that took over 4 years to license and includes 17 artists across a double LP. AA2 picks up where the first iteration left off, with co-compilers Chris Bonato and& Bridget Small continuing to dig through the music of the geographically isolating and maverick landscapes of Australia and New Zealand.As with the first iteration, Left Ear continues its to excavation ofe the music from these vast micro-scenes that evolved out of a number of small community-focused domains, creating their own unique reinterpretation of musical influences from near and far, spanning the years 1980 – 1992.The compilation scopes an overlooked epoch from Adelaide, presenting acts such as the DNA Lounge, TCH & Will Kuiper. A close-knit community of like-minded mates that made distinctive electronic music together throughout the 80’s, all of which remained unreleased until now. Holbrook Buchanan capture the ambiance of Perth’s heat prodded afternoon’s perfectly with their track Hunger, a breezy 9-minute minimal-jazz jam that includes kalimba, water samples & conga. Furthermore, artists like David Watson & Colin Offord use samplers and handmade instruments to offer a more abrasive and experimental aesthetic.To round out the compilation, artists such as Jane Stevenson, discovered a 7” at an op-shop and found the needle stuck on the word, ‘Aloha’. Using tape loops, she chose to highlight imperfections rather than hide them and in unison managed to cross boundaries of time; the 60s (album voice) and the 80s (my voice), of location; Hawaii and Australia, and of language; “Aloha and Hi”. This ethos echoes the compilation's vision, to champion artists that implement impromptu creativity, and who have a desire to create regardless of their surroundings and resources. AA2 signs off with the Back to Back Zithers, drawing inspiration from the haiku poems of Basho. To illustrate this, Kari set a Kacapi improvisation to the backdrop of the cicada chorus of summertime in outer Melbourne.