Regina James
Dancin' In The Flames Of Love

Wicked synth-heavy trance jams from Moscow duo George Veremiev, Nikolay Radchenko. Limited to 300 copies.

Kalita unveil the first ever compilation focussing on ‘Burger Highlife’, a crossover of West African melodies with synthesisers, disco and boogie that took over Ghanaian airwaves during the 1980’s and beyond. Highlighting key recordings from genre-defining artists including Thomas Frempong and George Darko, as well as more obscure sought-after tracks by elusive bands such as Aban and Uncle Joe’s Afri-Beat. Spread over a double-LP housed in a gatefold sleeve. Accompanied by a 16-page booklet featuring extensive interview-based liner notes on each artist and never-before-seen archival photos.The 1970s had witnessed an increased Western airtime and physical presence in Ghana introducing funk, soul and disco sounds to the region. By the turn of the decade the country was also enduring economic turmoil, with rising poverty, military dictatorships and long periods of enforced curfews (amongst other factors) making it impossible for artists to survive.As a result, many Ghanaian artists with a broader outlook began to pursue their careers in the West, moving to both Europe and America in search of stardom. It was here that Ghanaian musicians developed a digitised version of highlife music which fully embraced Western contemporary music styles and newly introduced technology such as the DX7 synthesiser and various drum machines.

Arthur Ponder, a life long Macon, Georgia resident, started his singing career in the 60s replacing Otis Redding in Johnny Jenkins & The Pinetoppersafter Otis went solo. Although he gigged extensively, he did not actually make it onto a record until around 1970. Presented here, we have mostly his 80s Modern Soul output Solo and with local group Side Show, some with was released on 45 others remain unreleased till now. Special thanks to Angelo Angione who went above and beyond to help with this project and Arthur Ponder - The Prince of Georgia Soul.

Tony Allen's third solo album from 1978, an effortless Afrobeat masterpiece holding 2 of his heaviest tracks. Comet reissue in heavy Deluxe Tip-On sleeve.